Cinémas hors circuits
Welcome to the Cinémas hors circuits site.
Dedicated to independent cinema, Cinémas hors circuits is a project to highlight the work of independent publishers/distributors, cultural activists without whom many films would have disappeared from memory. As active custodians of a significant part of the cinematic heritage, such publishers have to counter the blockbuster mentality of mainstream distribution and the concentration of distribution networks.
To enable both the general audience and professionals to discover the films such independent publishers promote, and to encourage debate around new challenges and opportunities in publishing, Cinémas hors circuits offers:
a portal for independent publishers
a fair: an event entitled Salon du DVD & des éditeurs indépendants de cinéma/The DVD & Independant Publisher's Fair which wich took place in Paris in 2008 and 2009, in Poitiers in 2010 & 2011.
| THE PUBLISHER/DISTRIBUTORS (PORTAL) :
68 Septante / Artus films / AV Prod / Bazaar&Co / Blaq Out / British Animation Awards / Centre audiovisuel Simone de Beauvoir / Chalet Pointu / Choses Vues / Cinéma Abattoir / Cinétrange / Clavis Films / Dérives / Doc Net Films / Dora Films / Doriane films / Ecart Production / ED Distribution / Epicentre Films / Filmarmalade / Index / JBA Production / JCG Production / K Films / La Cathode / La Famille Digitale / La vie est belle / Le chat qui fume / Les films du Paradoxe / Lowave / LUX / Malavida / Orbe / P.O.M. Films / Paris expérimental / Potemkine / PPT / Re:voir / Rouge Profond / Scope Éditions / Shellac Sud / Versus /
| A RANDOM TITLE
> JBA Production
ZULU LOVE LETTER / FOOLS
Ramadan Suleman
South Africa, 2004, 1997
ZULU LOVE LETTER
Johannesburg is in a state of euphoria two years after the first democratic elections. Here Thandeka, a young black journalist, lives in fear of her country’s past. She’s so troubled that she can’t work, and her relationship with Mangi, her 13-year-old, profoundly deaf daughter, goes from bad to worse. Then, one day Me’Tau, an elderly woman, arrives at the newspaper. Ten years earlier, Thandeka witnessed the murder of Me’Tau’s daughter, Dineo, by the secret police. Me’Tau wants Thandeka to find the murderers and Dineo’s body so that the girl can be buried in accordance with tradition. Both women are unaware that the killers are lurking nearby. What Me’Tau couldn’t know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Mangi secretly prepares a Zulu love letter, four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won’t give up the fight.
FOOLS
Charterston Township 1990. Professor Zamani is respected in the township. To be sure, he once raped one of his students but the community turned a blind eye. Zamani used to rail against the apartheid system but those days are long gone. Now he teaches South African history in the Afrikaner language and grudgingly organizes the picnic for National Day, which commemorates the Boers' massacre of the Zulu nation... When Zani, the rape victim's brother, returns from Swaziland where he won a place in school, he is determined to change everything. In the small hours, in the waiting room at Johannesburg station, he runs into Prof. Zamani, who's spent the night on the town. They travel back together to the harsh reality of the township. In due course, Zamani regains some of his pride and Zani, inevitably, loses some of his...under the gaze of the women, who never renounced their dignity.