Cinémas hors circuits

 

Welcome to the Cinémas hors circuits site.

Dedicated to independent cinema, Cinémas hors circuits is a project to highlight the work of independent publishers/distributors, cultural activists without whom many films would have disappeared from memory. As active custodians of a significant part of the cinematic heritage, such publishers have to counter the blockbuster mentality of mainstream distribution and the concentration of distribution networks.

To enable both the general audience and professionals to discover the films such independent publishers promote, and to encourage debate around new challenges and opportunities in publishing, Cinémas hors circuits offers:

a portal for independent publishers
 
a fair: an event entitled Salon du DVD & des éditeurs indépendants de cinéma/The DVD & Independant Publisher's Fair which wich took place in Paris in 2008 and 2009, in Poitiers in 2010 & 2011.
 

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| THE PUBLISHER/DISTRIBUTORS (PORTAL) :
 
68 Septante / Artus films / AV Prod / Bazaar&Co / Blaq Out / British Animation Awards / Centre audiovisuel Simone de Beauvoir / Chalet Pointu / Choses Vues / Cinéma Abattoir / Cinétrange / Clavis Films / Dérives / Doc Net Films / Dora Films / Doriane films / Ecart Production / ED Distribution / Epicentre Films / Filmarmalade / Index / JBA Production / JCG Production / K Films / La Cathode / La Famille Digitale / La vie est belle / Le chat qui fume / Les films du Paradoxe / Lowave / LUX / Malavida / Orbe / P.O.M. Films / Paris expérimental / Potemkine / PPT / Re:voir / Rouge Profond / Scope Éditions / Shellac Sud / Versus /
 


| A RANDOM TITLE
 

VIDEOS 2004-2005> Ecart Production
 
VIDEOS 2004-2005
Christelle Familiari
France, 2010
video art

Video has been an important medium for Christelle Familiari ever since the first pieces she produced in the 90’s. Her practice has expanded over the years, finally encompassing diverse mediums (sculptures, objects, collages…) but video has always kept a significant and determining position. Her first video works focused on intimacy and the relation to the Other through confrontation between image and viewer.(...) The aesthetics of these silent, black and white videos, their presentation in a loop, as well as the mechanization of the bodies, which yield to ceaseless movements, contribute to the deliberately burlesque potential of these films.
 
Suppléments :
No words
Text by Claire Guézengar